High End Equipment and Post Production Facilities

Shooting with a bold selection of new tech and classic glass

  • Red Dragon Cinema Camera
  • Sony A7 III camera
  • Inspire 2 Drone with X7S Camera
  • Cinemodded Contax Zeiss Primes:
    Superspeed: 35 f1.4, 50 f1.4, 85 f1.4
    Normal: 18 f4, 21 f2.8, 25 f2.8, 28 f2 ‘Hollywood’, 60 Macro f2.8, 135 f2.8
  • Tilta Gravity GX2 handheld stabiliser
  • Sachtler ‘Steadicam’
  • Teleprompter and Eye Direct
  • Wireless video and Director’s monitor
  • 4 x Sennheiser Radio Lavalier Microphones, 2 x Sennheiser Shotgun mics
  • Miscellaneous LED, Tungsten and Flourescent Lighting Rigs and many other grip items

4K Support and Ultra Fast Renders

  • Custom built-audio treated room
  • Custom built Super micro-based edit/colouring workstation with 72 logical cores and 96GB RAM and 3 Graphics Cards and 4K monitor
  • 16TB RAID 1+0
  • Tangent Element Colourist Panel
  • LG 55″ OLED Screen for colouring
  • UAD Apollo DAC
  • 2 x Avalon AD2022 Class A pre-amps
  • Softube Console 1 Audio mixer
  • JBL LS 6328P active Studio Audio monitors
  • Da Vinci Resolve Studio
  • Adobe Creative Cloud
  • Samplitude Pro X3 Audio Suite
  • Izotope RX6 Audio Restoration Software
  • 1TB Audio samples and synthesers for Sound Design including plugins from manufacturers such as Softube, PSP, UAD, Spectrasonics and Native Instruments 


Yar Dadi: Director’s Cut. Produced with our own in-house equipment. Directed, shot, cut and coloured by Paul Russell


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